Libraries present an interior architecture
with counters, strict systematic rows of bookshelves
and furniture of an institutional character planned
to last for decades.
This does not tell the users about the services. It
does not tell the story about the library as a workshop,
a learning place, a meeting place and a place of adventure. |
Libraries are making great efforts to stay
relevant in a rapidly changing society. Impressive and
ambitious developing work is taking place in many libraries
to adjust and improve services and to move ahead in development
of
the library’s environment.
Libraries are invading internet communities,
presenting their services outside the libraries, working
with partners
and allies, arranging events and creating new services
on the net.
Still the library community is far from
satisfied with the image of libraries or with their impact.
Too often we are
confronted by comments such as: “The various services
in libraries are hidden treasures”. In library conferences
librarians keep moaning: “We should be more visible!”
My belief is that the most powerful tool
is in fact the visible part of the library, the physical
conditions, the library interiors.
New services in old wrappings
It should be evident to everyone that the
visual impression in and from most libraries works against
their image of
themselves and the terminology used by library staff in
the recent years about the role of libraries as meeting
places, public spaces for everyone, learning centres,
spaces for democracy and so on.
We need to wipe out the mental maps in people’s
minds when they think of libraries. And this must start
with the
librarians’ own ideas about library space.
To develop services is necessary. To install
new services in the old wrappings may, however, have little
effect when they are fitted into the massive library interiors
associated with the lending and reading room services.
Visual communication and physical structures
are all telling you that the library is a place where
you walk along the shelves, pick up your book, go to the
counter, get the librarian to register your loan and then
leave the building.
Thus the design of library premises contributes
to strengthening the myths about libraries and works against
their modernisation.
A new typology for the library space
In Deichmanske bibliotek, the Oslo public
library, we have worked on the theoretical approach to
this problem for several years. For almost two decades
our ideas about the new main library have included the
vision of making a new typology for the library space.
We see the need for a shift of focus. In
planning library buildings or rooms, the focus must be
on the conditions to
ensure the best possible environments for learning, for
human relations and interaction, and for literature and
reading.
We will look for:
New typology
A shift from collection orientation to user-behaviour
orientation. Parameters for planning are the facilities
for inspiration, production, teamwork, social interaction
and support. The collection is here classified as support.
New visual communication
The library as an attraction and a sensation, with visual
aids to guide the user around. Key words here are landscapes,
atmosphere, scenography, sound, light and design.
New efficiency and rationalisation
Intelligent and thorough use of new technology. Self service,
self-instructive, self-describing and self-evident
interiors combined with a simple and elegant interface
to computer services.
New functions and services
The library will facilitate and organise various new forms
of services, support and promote learning, support working
and meeting activities concerned with printed, digital
and multimedia materials. 24 hour services, cafés
and shops as part of the library concept.
New organisation
Rapid changes in methods, functions and services, according
to future changes in media production, ICT, etc,
and the integration of functions such as cafés,
museums and shops will demand flexibility in the building
and new organisational structures within the library.
Oslo City Library
Since the launching in 1991 of the idea
of the new library in an infamous 200 m. long shopping
mall, which would
indeed have represented a remarkable change of typology,
the focus has been on finding the final site.
A new architectural design competition will
be arranged this autumn. So at the moment there are no
results to show
on a grand scale.
In the existing main library we have tried
to make some changes according to the ideas above. During
the last year
we have concentrated on three branch libraries. Recently
the Røa branch reopened in enlarged and total reorganised
shape. Even enlarged, however, this library is not big
enough to offer a great variety of places and spaces.
Serendipity as a ‘system’ will very easily
be a mess if introduced in small premises. The renovated
branch has,
however, succeeded in creating distinct spaces, attractive
colours, light and a welcoming atmosphere. The counter
has been banished!
The Bjørnholt and Lambertseter branches
are in the planning stage, which means that this article
cannot
refer to results. The planning process is, however, of
great importance. If the library staff are not conscious
enough
about the importance of the interior planning, have no
ideas about what atmosphere they want to communicate
to the users, have no clear visions about what user activities
they want to facilitate in the library room, then the
architect’s ideas will be predominant in shaping
the library. Or even worse, the suppliers of library furniture
will take
over that role.
These two branch libraries are now running
processes with staff participation in interior planning,
involving the
experiences gained from both the Røa branch and
from the pilot work in the main library. By this we hope
to develop in our system a strong base with competence
in interior planning.
Liv Sæteren
Chief librarian
Deichmanske bibliotek/Oslo Public Library
liv.sateren@kie.oslo.kommune.no
Translated by Eric Deverill
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