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As we move from a concept of the information
society on to a concept of a knowledge
society, the role of public libraries must
undergo similar changes of priority. What
should be the role of public libraries when
most people have ample access to a
plethora of information and entertainment?
How may librarians define their professional
role when users themselves perform many
of the functions formerly left to the professionals?
The main contentions of the article are, first,
that libraries must move from defining their
professional role in terms of providers of
information literacy on to a role as multimodal
knowledge centres encompassing
information as well as entertainment, retrieval
as well as production. Second, librarians
need to redefine their role in the
physical library as facilitators of multimodal
literacy and do so in close cooperation with
other partners advancing civic society. |
From scarcity to overflow
As is well-known, public libraries have
developed historically in tandem with
the industrial society, and their formation
is mostly based on enlightenment
ideals of freedom of expression and of
universal access to information and
works of imagination. Article 19 in the
Universal Declaration of Human Rights
from 1948 is an eloquent and unique
expression of these ideals stating that
“everyone has the right to freedom of
opinion and expression; this right includes
freedom to hold opinions without
interference and to seek, receive
and impart information and ideas
through any media and regardless of
frontiers.”
As is equally well-known, in industrial
societies information is often hard to
come by, and many communicative
technologies are developed in order to
remedy this scarcity and speed up the
reliablility and efficiency of distanced
communication. One may just think of
the immediate success of the telegraph
and the telephone whose respective
take-up in public and private life was
centrally dependent upon their almost
instant communication of data, an efficiency
and immediacy that in turn
fed into a development of more universal,
temporal demarcations such as
time zones.
Not only is information scarce in industrial
society, also works of entertainment
offer sought-after pastimes. Numerous
autobiographies until the mid-
1970s describe how people would bike
a long way to watch their favourite film
at a local cinema; and public libraries
were ransacked by avid users craving ‘a
good read’ so that librarians often had
to limit weekly loans for particular
‘heavy users’.
Libraries in industrial societies serve to
remedy the scarcity of information and
(quality) entertainment and to secure
universal access. The definition of
information and fiction is clear, since
these concepts have a physical materiality:
they are books, journals, records,
and films. And the role of the librarian
is equally clear, if not always easy to
fulfil: Librarians make explicit choices
and selections amongst a known repertoire
of artefacts.
Since the 1980s, a number of fundamental
developments have served to
change a situation of scarcity into a
situation of overflow. In the early
1980s, satellite television and the VCR
are introduced in many parts of the
world. Notably news and entertainment
go global, and this transformation
is accompanied by a large-scale
commodification of mediatized communication.
The commodification is mostly felt in
Europe and other countries and regions
that have a long tradition of
public-service media, i.e. radio, television
and film that serve the public
good, not the interests of investors and
advertisers; and media that are accountable
to a diversity of output, not
just popular fare that attracts the largest
possible audience. Not only can
people now timeshift their viewing
patterns, they also come to associate
entertainment with commercial output,
since public-service broadcasters
tend to cut down on the most costly
productions, i.e. entertainment including
fiction.
This diversification and commodification
is accompanied by a changing definition
of the librarian’s role. He or
she is increasingly (self)defined as a
‘consumer guide’ assisting the individual
user in making relevant choices
amongst a plethora of seemingly equal
cultural ‘products’. This is a time when
librarians begin to question received
professional notions of taste and established
cultural divides between art and
pop even if they still prioritise their
cultural function. The user becomes
the focus of attention and individual
service provision a hallmark of professional
competence.
From information society
to knowledge society
Of more immediate impact than the
globalization and commodification of
mass media is the introduction from
the late 1980s on of computers and
later the Internet and mobile media. In
the 1980s, ‘the information society’ becomes
a synonym of societal development.
In such a society, the levers of
development are information processing,
i.e. efficient and reliable generation,
transfer and retrieval of data,
whose appropriation is often closely
tied to formal sites of labour or education.
The competences necessary to advance
such a society is information literacy.
In its simplest form, the concept denotes
the individual’s ability to access,
retrieve and process data of relevance
to concrete problem-solving and decision-
making, while in its more advanced
versions, information literacy is
contextualised and related to actual
learning sites and wider societal and
personal crieria of relevance and reflection
(Kuhlthau 1993, Bruce 1997). Still,
the concept of information literacy is
closely tied to the technologies of computing
and Internet access, and knowledge
is defined in terms of reflexive
and responsible use of information.
The definitions of libraries and of librarians
change accordingly. The enormous
increase in Internet-based communication
serves to shift attention to
the virtual, rather than the physical,
library. Digital reference services, free
access to large-scale data banks and
secure retrieval become vital areas of
professional development, and there is
certainly more to come in this decisive
domain of innovation.
Also, the astronomical increase in the
amount of information makes the librarian’s
explicit choices amongst a
known quantity of entities a thing of
the past. Instead, explicit choices are
left to the users. The many discussions
on ‘netiquette’, Internet filters and reflexive
evaluation of web information
are examples of a seeming ‘empowerment’
of the virtual library user and his
or her individual choices. Still, librarians
– or rather a select group of data
processing experts – make ‘structural’
choices as to access, storage, and retrieval
- only these are not visible, and
accountable, to the end user: today,
librarians make selections in the first
instance, not the last instance.
The librarian’s traditional role as ‘cultural
custodian’ or, in the 1980s as ‘cultural
guide’, is downplayed in favour of
the librarian’s function as effective information
disseminator assisting in the
user’s development of information literacy.
Focus is on developing userfriendly
information searches that
gradually become more and more
attuned to actual problems and activities
rather than stand-alone tools.
Multimodal literacy
From the mid-1990s on, ‘the knowledge
society’ (Stehr 1994) begins to
compete with ‘the information society’
as a pervasive term in public discourse.
While the term information society focuses
on the raw materials so to speak
(‘information’), the term knowledge
society serves to emphasise the various
menus (‘knowledge’) that may result
from people’s handling of the raw materials.
The change in concepts thus
reflects a transformation in societal
definitions of the fundamental levers of
social development and of the competences
necessary to bring about such
developments.
In a knowledge society, the levers of
development is the creation, circulation
and appropriation of knowledge, i.e.
non-material processes that in principle
may take place anywhere and at
any time. The creation of knowledge is
no longer the prerogative of formal settings
such as schools and work places;
and hence the introduction of the term
knowledge society is parallelled by a
shifting emphasis from education
(whose entry point is a teacher in an
institutional setting) to learning
(whose entry point is the learner in any
given spatio-temporal context).
The competences necessary to advance
a knowledge society have to do with
creative ways of thinking, acting and
cooperating so that existing knowledge
is not only preserved and stored, but so
that new forms of knowledge are developed
and new types of action designed.
The development of creative competences
is closely related to people’s active
appropriation of media and ICTs.
Online interaction is a necessary means
of virtual cooperation, and thus elearning
becomes an important concept
of the knowledge society. But so
do other mediatized forms of communication
such as digital storytelling,
audio-visual analysis and Internet design
and programming. And not only
as means of virtual communication,
but as important ends of mediatized
learning.
Today it is possible to digitise all forms
of signs (e.g. text, sound, live and still
pictures). Thus, the last decade has
witnessed a technological and ecomic
convergence of telecommunication,
mass media and ICTs. It is becoming
less and less feasible to isolate ICTs as
separate technologies; and it is becoming
evident that the knowledge society
demands more than information
literacy.
The term multimodal literacy (developed
from Kress & van Leeuwen
2001) is gaining currency as a term that
points to the rather complex semiotic
competences that citizens need to develop
in order to gain a formative influence
on the knowledge society.Multimodal
competences encompass the
ability to access, but also to use mediatized
forms of communication; it denotes
the ability to retrieve and receive
but also to produce such forms of
communication. And, most importantly,
it signals that information is but
one element in a multifaceted spectrum
of mediatized expressions that
also encompass entertainment, interaction
and performance.
Knowledge for what and for whom?
If it is true that we live in a knowledge
society that demands multimodal competencies
most of which are mediatized,
then it follows that the role of
public libraries and librarians is challenged
once again.
Public libraries, in their physical as well
as their virtual versions, are spaces that
people enter at liberty and often in
their spare time. In shaping new visions
for public libraries in the knowledge
society, perhaps this image is
their most fundamental value. For it
offers public libraries a unique chance
of catching on to the multi-sited nature
of learning in a knowledge society.
For example, for European children
and young people informal sites of media
and ICT learning are more diverse
and more advanced than are the formal
school settings (Livingstone & Bovill,
2001; Drotner, 2001). These findings
imply that part of the present library
public - and most of the future public -
already possess a strong, informal repertoire
of multimodal learning, if not
collective competences.
Public libraries can build on those
trends by redefining the physical libraries
as informal knowledge centres and
by developing their professional competences
in close collaboration with
other knowledge partners both in the
private and public sectors. Such a
development must respect the democratic
principles of free access for all,
principles to which public libraries are
committed as cornerstones of action.
If such knowledge centres are to facilitate
the development of multimodal
competences demanded by the knowledge
society without forfeiting the democratic
foundation of libraries, then
it follows that knowledge must be defined
in wider terms than is the case
when we speak of information literacy.
As we saw, multimodal literacy encompasses
both information and fiction/
entertainment, reception and retrieval
as well as production and performance.
To develop that kind of knowledge involves
presence in the physical library,
and it involves collective learning.
While digital libraries certainly must
and will further and finetune individual
services in future, perhaps the
most decisive library challenge in the
years to come is to develop the physical
libraries which harbour the possibilities
of collective presence and hence
collective learning. Ultimately, the vision
must be how to develop a synergy
between virtual and physical libraries
with respect for the end users’ frames
of reference.
The challenge facing the physical libraries
is intensified by the fact that many
traditional services performed there are
taken over by users of the virtual libraries.
When the majority of mundane
services leave the physical library – and
the librarian’s desk – then librarians in
the physical library can downplay their
functions in favour of virtual services;
or they can redefine their role from
access and individual service provision
to users and facilitator of more
sustained collective learning processes.
Defining the role of the librarian as
knowledge facilitator is in line with the
projected function of the physical library
as a knowledge centre. The librarian
leaves her desk and is present
amongst users; she engages in
sustained processes that involve groups
of users offering her professional experiences
and evaluations; and she interacts
with partners across disciplinary
and institutional boundaries.
A good many library projects, also in
the Scandinavian countries, already
make important insights pointing the
way ahead – as is evident from e.g. the
report issued by the Nordbok project
Strategies on Information Literacy in
Nordic Public Libraries.
In a sense, the issues involved in developing
public libraries as informal
knowledge centres in the manner
sketched out above, takes us back to
some of the old, yet recurring questions
of library service: what is the role
of public libraries in furthering civic
society and citizenship? How should
librarians be trained and how should
they operate in their daily work in
order to make the institutional ideals
materialise? The answers to be found,
however, belong to our own present
and immediate future.
Table 1: Library innovation and socio-cultural conditions
| |
Industriel society |
Information society |
Knowledge society |
| Aim of library use |
Cultural discrimination
(taste) Personal relevance of cultural choice |
Universal and free access to
information
Information literacy |
Universal and free use of information and fiction
Multimodal literacy |
| Definition of library/librarian |
Cultural custodian
Cultural guide |
Information disseminator |
Knowledge faciliator |
| Definition of material/content |
Material enity, physical artefact |
Non-material process
Effective, reliable information processing |
Material artefacts and non-material processes
Information and fiction |
| Definition of user |
Receiver of choice
cultural consumer |
Information producer and evaluator |
Knowledge producer, cooperator and cultural citizen |
|
Public libraries can build on those trends by redefining the physical libraries
as informal knowledge centres and by developing their professional competences
in close collaboration with other knowledge partners both in the
private and public sectors |
References
Bruce, Christine (1997) The Seven Faces of Information Literacy Blackwood: Auslib Press.
Drotner, Kirsten (2001) Medier for fremtiden: børn, unge og det nye medielandskab
[Media for the Future: Children, Young People and the New Media Landscape] Copenhagen: Høst & Søn.
Kress, Gunter & Theo van Leeuwen (2001) Multimodal Discourse: the Modes and Media of Contemporary Communication
London: Arnold.
Kuhltau, Carol C. (1993) Seeking Meaning: a Process Approach to Library and Information Services
Westport, CT: Ablex Publishing.
Livingstone, Sonia & Moira Bovill (Eds) (2001) Children and their Changing Media Environment: A European
Comparative Study New York: Earlbaum.
Stehr, Nico (1994) Knowledge Societies London: Sage.